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The opening track shows listeners that Kanye is embarking on new territory creatively, implementing icy synths and an electronic buzzsaw cutting through fans’ ears with a sonic that’s foreign to most hip-hop fans. The aggressive electronic beat has Wayne rapping over it in auto-tune, a feature he’s embraced throughout his career, caressing the hook of the break-up anthem, “I got the right to put up a fight/ But not quite cause you cut off my light/ But my sight is better tonight/ And I might see you in my nightmare.” Continuing with the dark project’s theme, the collabo is properly titled, “See You In My Nightmares.” Kanye and Weezy never truly connected for an epic record, while both dominated the late 2000s. Yeezy enlists Lil Wayne, who was at the top of the hip-hop world in 2008, for one of his precise use of features on the project.
“See You In My Nightmares,” Featuring Lil Wayne The nearly four-minute track boasts one of the most memorable outros on the album, without saying one word.ġ0.
#Kanye west 808s and heartbreak songs full
The soulful “Bad News” details relationship situations that Kanye has experienced throughout his life rapping, “People will talk like it’s old news/ I played it off and act like I already knew/ Let me ask you how long have you known dude/ You played it off and act like he’s brand new.” After two minutes of emotional bars, the record then switches to a full instrumental with a blaring drum beat over bold synths tunefully fused behind piano keys. One of the few tracks on the album that is actually from a female’s perspective. “Pinocchio Story” was most recently performed during Yeezy’s two-night Hollywood Bowl cinematic expression with a 10-minute extended version. There was never a studio version recorded because it would’ve taken away from the realness of the song, where Kanye touches on his imperfections and disconnect from the real world, which coincided with the LP’s theme. It wasn’t planned to be a part of the album until Beyonce fell in love with the raw recording of the track, which really made it special, audience shrieks included.
#Kanye west 808s and heartbreak songs series
This release coincides with 360’s return to the Australian music landscape and the relaunch of his Rappertag series, an online series of rap cyphers that launched on YouTube in 2010.The cathartic “Pinocchio Story” was first performed in Singapore as a freestyle before 808s & Heartbreak was even released.
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The 10th Anniversary Edition of 360’s second studio album is released as a limited edition re-pressing of the original vinyl, plus a completely remastered digital release with additional bonus tracks, remastered instrumentals and two previously unheard demos from the ‘Falling & Flying’ sessions in 2010. Today, 360 re-releases his double-platinum, multi-award-winning classic: ‘Falling & Flying’. Since then I say to myself WWKD when trying to make decisions about music – what would Kanye do? He’d do whatever the f*ck he wants to do, simple as that.
It made me realise I need to stop wrestling with demons in my mind telling me whether or not the music I want to make is what anyone wants to hear, it made me think “IF YOU LIKE IT, THAT’S ALL THAT MATTERS, F*CK WHAT YOU ‘THINK’ PEOPLE WANT.” That album impacted me so much, it changed my whole approach to creating. This album was a big risk but anything groundbreaking always is. I rarely agree, but he’s unapologetically himself and I admire that. Whilst that often lands him in trouble with a lot of the bizarre and crazy shit he says, I love him for it.
What I love about Kanye is that he doesn’t care what anyone thinks he should do, he does whatever he wants. I was loving Kanye’s songs, I just wanted him to stick to the formula that was working for him, but that’s not who Kanye is. Kanye made such a positive impact to hip hop music with his first few albums, he had quickly become one of my favourite artists. He had alienated so many people with this experimental record with weird electronic sounds and heavily auto-tuned vocals, it sounded like an amalgamation of Phil Collins and Santigold, who I am actually massive fans of, so why did I hate the album? For me, it was too different. I was disappointed and thought Kanye was crazy for changing his sound. He was on an upwards trajectory, I thought he’d continue to make smash after smash, then he dropped 808s & Heartbreak. He was groundbreaking with his production, subject matter, delivery, voice and fashion sense with videos that displayed a potential genius, long before it was self-professed by Kanye himself. When he dropped The College Dropout he was such a breath of fresh air for hip hop.
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